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Interdisciplinary Tango Studies
Afro-Argentine Origins
Choreo-musical Analysis
Tango & Politics
Tango & Film
Transculture
Tango Studies Abroad
Tango & Healing
Afro-Argentine Origins
Accompanying Materials to Chapter 14:
Nineteenth-Century Afro-Argentine Origins of Tango
Paulina L. Alberto
WP 14.1. Estanislao Grigera, ca. 1890–1900. In G. Mendizábal, “Los negros se van…”, Leoplán, 17 May 1944. Biblioteca Nacional Mariano Moreno, Archivo de Historieta, Colección Publicaciones Periódicas. Used by permission.
WP 14.1. Estanislao Grigera, ca. 1890–1900. In G. Mendizábal, “Los negros se van…”, Leoplán, 17 May 1944. Biblioteca Nacional Mariano Moreno, Archivo de Historieta, Colección Publicaciones Periódicas. Used by permission.
WA 14.1. Recording of “Las aventuras del Negro Raúl,” c. 1929, named after a 1916 comic strip in which Raúl Grigera was the main character. Public domain.
Author’s note: This is a transcription from the original ca. 1929 recording, since I have not found published lyrics; the question marks indicate unintelligible words. The reader should be warned that the lyrics contain offensive language and stereotypes that reflect the deeply embedded racism of early twentieth-century Argentina, as well as the racial defamation to which Raúl Grigera’s character was subjected.
Lyrics:
Aquí está Raúl el negro que los viene a saludar
Y por rendir culto a Momo se ha querido disfrazar
Y aunque el pobre negro tiene unos cuantos carnaval
Todavía hace la corte con su pinta de bacán.
Así es como le digo, yo soy el más popular de toditos los munyingas que se [?] las chicas. Yo paso alegre la vida contento y sin trabajar. Yo ando siempre bien vestido, de jaquet, de traje nuevo, de zapatos de charol, de bastón y buen sombrero. Paso bien la primavera, los veranos, los inviernos, a veces en Mar del Plata y otras en Montevideo. Nunca cambio de color, siempre soy el mismo negro y no me quemo en el sol. Mis amigos los niños bien saben decirme “Raúl, querés ir a Mar del Plata?” y si les digo que sí me mandan dentro de un baúl, o sino dentro de una canasta. (¿?), y cuando llegan estos días de carnaval en Buenos Aires salgo lleno de alegría y me hecho una mota al aire.
Ay chimbúmbura quechúmbura cambúmbura, el negrito con su pinta de bacán
Ay chimbúmbura quechúmbura cambúmbura, hoy quiere festejar el carnaval
Ay chimbúmbura quechúmbura cambúmbura, esa niña que me quiere ya invitar
Raúl muy agradecido, muy cumplido y renegrido una flor le va a brindar.
En Buenos Aires los negros están escaseando ya
Y parece que muy pronto lo negro se va a acabar
Y Raúl como buen negro hoy se quiere divertir
Y cuando entregue el resuello riendo quiere morir.
Y así es, así hay que hacer en la vida. Pasarlo siempre contento, riéndose en todo momento sin afligirse jamás. Y entre las dulces caricias que nos brindan los amores se olvidan los sinsabores que a veces suelen fallar. Cuando yo ando por la calle paseando de aquí para allá las muchachas se dan vuelta y no me quieren mirar. Pero si me ven vestido como hoy de monsieur de moi (¿) dicen todas “Adiós, negrito, che Raúl, cómo te va?” Y yo las miro sonriendo con mi pinta de bacán y toditas (¿) así les empiezo a cantar.
Ay chimbúmbura cambúmbura chimbúmbura, (¿) me hace siempre el corazón
Ay chimbúmbura fisúmbura cambúmbura, no puedo soportar esta pasión
Ay chimbúmbura fisúmbura cambúmbura, (¿)
Ay mi rico bomboncito, su Raúl pobre negrito ya se muere por su amor.
WA 14.1. Recording of “Las aventuras del Negro Raúl,” c. 1929, named after a 1916 comic strip in which Raúl Grigera was the main character. Public domain.
Author’s note: This is a transcription from the original ca. 1929 recording, since I have not found published lyrics; the question marks indicate unintelligible words. The reader should be warned that the lyrics contain offensive language and stereotypes that reflect the deeply embedded racism of early twentieth-century Argentina, as well as the racial defamation to which Raúl Grigera’s character was subjected.
Lyrics:
Aquí está Raúl el negro que los viene a saludar
Y por rendir culto a Momo se ha querido disfrazar
Y aunque el pobre negro tiene unos cuantos carnaval
Todavía hace la corte con su pinta de bacán.
Así es como le digo, yo soy el más popular de toditos los munyingas que se [?] las chicas. Yo paso alegre la vida contento y sin trabajar. Yo ando siempre bien vestido, de jaquet, de traje nuevo, de zapatos de charol, de bastón y buen sombrero. Paso bien la primavera, los veranos, los inviernos, a veces en Mar del Plata y otras en Montevideo. Nunca cambio de color, siempre soy el mismo negro y no me quemo en el sol. Mis amigos los niños bien saben decirme “Raúl, querés ir a Mar del Plata?” y si les digo que sí me mandan dentro de un baúl, o sino dentro de una canasta. (¿?), y cuando llegan estos días de carnaval en Buenos Aires salgo lleno de alegría y me hecho una mota al aire.
Ay chimbúmbura quechúmbura cambúmbura, el negrito con su pinta de bacán
Ay chimbúmbura quechúmbura cambúmbura, hoy quiere festejar el carnaval
Ay chimbúmbura quechúmbura cambúmbura, esa niña que me quiere ya invitar
Raúl muy agradecido, muy cumplido y renegrido una flor le va a brindar.
En Buenos Aires los negros están escaseando ya
Y parece que muy pronto lo negro se va a acabar
Y Raúl como buen negro hoy se quiere divertir
Y cuando entregue el resuello riendo quiere morir.
Y así es, así hay que hacer en la vida. Pasarlo siempre contento, riéndose en todo momento sin afligirse jamás. Y entre las dulces caricias que nos brindan los amores se olvidan los sinsabores que a veces suelen fallar. Cuando yo ando por la calle paseando de aquí para allá las muchachas se dan vuelta y no me quieren mirar. Pero si me ven vestido como hoy de monsieur de moi (¿) dicen todas “Adiós, negrito, che Raúl, cómo te va?” Y yo las miro sonriendo con mi pinta de bacán y toditas (¿) así les empiezo a cantar.
Ay chimbúmbura cambúmbura chimbúmbura, (¿) me hace siempre el corazón
Ay chimbúmbura fisúmbura cambúmbura, no puedo soportar esta pasión
Ay chimbúmbura fisúmbura cambúmbura, (¿)
Ay mi rico bomboncito, su Raúl pobre negrito ya se muere por su amor.
WS 14.1. Ángel Bassi, “El Negro Raúl: Seventh Tango Criollo for Piano”, 1st edition (1912). Biblioteca Nacional Mariano Moreno, Música y Medios Audiovisuales y Mediateca. Public domain.
WS 14.1. Ángel Bassi, “El Negro Raúl: Seventh Tango Criollo for Piano”, 1st edition (1912). Biblioteca Nacional Mariano Moreno, Música y Medios Audiovisuales y Mediateca. Public domain.
Alberto, Paulina L. Black Legend: The Many Lives of Raúl Grigera and the Power of Racial Storytelling in Argentina. New York and Cambridge: Cambridge University Press, 2022.
Alberto, Paulina L., Lea Geler, and Chisu Teresa Ko. “‘In Defense of the People of Color of South America’: A New Source for Twentieth-Century Afro-Argentine History and Thought.” Latin American and Caribbean Ethnic Studies, 2023. doi: https://doi.org/10.1080/17442222.2023.2246898.
Andrews, George Reid. The Afro-Argentines of Buenos Aires, 1800–1900. Madison: University of Wisconsin Press, 1980.
Bates, Héctor, and Luis J. Bates. La historia del tango. Buenos Aires: Taller Gráfico de la Compañía General Fabril Financiera, 1936.
Borucki, Alex. From Shipmates to Soldiers: Emerging Black Identities in the Río de La Plata. Albuquerque: University of New Mexico Press, 2015.
Brunelli, Omar García. “Bases para una aproximación razonable a la cuestión del componente afro del tango.” Revista Argentina de Musicología 18 (2017): 91–124.
Cáceres, Juan Carlos. Tango negro. La historia negada: orígenes, desarrollo y actualidad del tango. Buenos Aires: Planeta, 2010.
Chamosa, Oscar. “‘To Honor the Ashes of Their Forebears’: The Rise and Crisis of African Nations in the Post-Independence State of Buenos Aires, 1820–1860.” The Americas 59, no. 3 (2003): 347–378.
Chasteen, John Charles. National Rhythms, African Roots: The Deep History of Latin American Popular Dance. Albuquerque: University of New Mexico Press, 2004.
Cirio, Norberto Pablo. “Ausente con aviso: ¿Qué es la música afroargentina?” In Músicas populares: aproximaciones teóricas, metodológicas y analíticas en la musicología argentina, edited by Federico Sammartino and Héctor Rubio, 81–134. Córdoba: Universidad Nacional de Córdoba, 2008.
La historia negra del tango. Todo tiene su “historia negra” pero de ésta estamos orgullosos. Buenos Aires: Museo Casa Carlos Gardel, 2010.
“La presencia del negro en grabaciones de tango y géneros afines.” In Buenos Aires negra: Identidad y cultura, edited by Leticia Maronese, 25–59. Buenos Aires: Comisión para la Preservación del Patrimonio Histórico Cultural de la Ciudad de Buenos Aires, 2006.
Tinta negra en el gris del ayer: los afroporteños a través de sus periódicos entre 1873 y 1882. Buenos Aires: Teseo, 2009.
Farris Thompson, Robert. Tango: The Art History of Love. New York: Pantheon, 2005.
Frigerio, Alejandro. Cultura negra en el Cono Sur: representaciones en conflicto. Buenos Aires: Facultad de Ciencias Sociales y Económicas de la Universidad Católica Argentina, 2000.
Geler, Lea. Andares negros, caminos blancos: Afroporteños, Estado y Nación Argentina a fines de siglo XIX. Rosario: Prohistoria Ediciones/TEIAA, 2010.
Gesualdo, Vicente. Historia de la música en la Argentina. Vol. II. Buenos Aires: Editorial Beta, 1961.
Historia de la música en la Argentina. Vol. III. Buenos Aires: Editorial Beta, 1961.
Goldman, Gustavo. Lucamba: herencia africana en el tango (1870–1890). Montevideo: Perro Andaluz, 2008.
González Bernaldo de Quirós, Pilar. Civilidad y política en los orígenes de la nación argentina: Las sociabilidades en Buenos Aires, 1829–1862. Buenos Aires: Fondo de Cultura Económica, 2008.
Guibert, Fernando. Los argentinos y el tango. Buenos Aires: Ediciones Culturales Argentinas, 1973.
Karush, Matthew B. “Blackness in Argentina: Jazz, Tango and Race before Perón.” Past & Present 216, no. 1 (2012): 215–245.
Kordon, Bernardo. Candombe: contribución al estudio de la raza negra en el Río de la Plata. Buenos Aires: Continente, 1938.
Lanuza, José Luis. Morenada. Buenos Aires, Emecé, 1946.
Martínez Estrada, Ezequiel. La cabeza de Goliat: microscopía de Buenos Aires. Buenos Aires: Nova, 1957.
Natale, Óscar. Buenos Aires, negros y tango. Buenos Aires: Peña Lillo, 1984.
Novati, Jorge, and Inés Cuello, eds. Antología del tango rioplatense. Vol. I. Buenos Aires: Instituto Nacional de Musicología Carlos Vega, 1980.
Ortiz Oderigo, Néstor. Aspectos de la cultura africana en el Río de la Plata. Buenos Aires: Plus Ultra, 1974.
Calunga: croquis del candombe. Buenos Aires: EUDEBA, 1969.
Esquema de la música afroargentina. Buenos Aires: Universidad Nacional de Tres de Febrero, 2008.
“Las ‘naciones’ africanas.” Todo es historia, November 1980.
Ratier, Hugo E. “Candombes porteños.” VICUS Cuadernos (Johen Benjamins B.V., Amsterdam), 1 (1977): 87–150.
Rodríguez Molas, Ricardo. La música y la danza de los negros en el Buenos Aires de los siglos XVIII y XIX. Buenos Aires: Clio, 1957.
“Los afroargentinos y el origen del tango (sociedad, danzas, salones de baile y folclore urbano).” Desmemoria 7, no. 27 (2000): 87–132.
Rossi, Vicente. Cosas de negros. Buenos Aires: Taurus, 2001.
Varela, Gustavo. Tango. Una pasión ilustrada. Buenos Aires: Ediciones LEA, 2010.
Tango y política: sexo, moral burguesa y revolución en Argentina. Buenos Aires, Argentina: Ariel, 2016.
Vega, Carlos. Danzas y canciones argentinas. Teorías e investigaciones. Un ensayo sobre el tango. Buenos Aires: Ricordi, 1936.
Villanueva, Estanislao. “El candombe nació en África y se hizo rioplatense.” Todo es historia, November 1980.
Alberto, Paulina L. Black Legend: The Many Lives of Raúl Grigera and the Power of Racial Storytelling in Argentina. New York and Cambridge: Cambridge University Press, 2022.
Alberto, Paulina L., Lea Geler, and Chisu Teresa Ko. “‘In Defense of the People of Color of South America’: A New Source for Twentieth-Century Afro-Argentine History and Thought.” Latin American and Caribbean Ethnic Studies, 2023. doi: https://doi.org/10.1080/17442222.2023.2246898.
Andrews, George Reid. The Afro-Argentines of Buenos Aires, 1800–1900. Madison: University of Wisconsin Press, 1980.
Bates, Héctor, and Luis J. Bates. La historia del tango. Buenos Aires: Taller Gráfico de la Compañía General Fabril Financiera, 1936.
Borucki, Alex. From Shipmates to Soldiers: Emerging Black Identities in the Río de La Plata. Albuquerque: University of New Mexico Press, 2015.
Brunelli, Omar García. “Bases para una aproximación razonable a la cuestión del componente afro del tango.” Revista Argentina de Musicología 18 (2017): 91–124.
Cáceres, Juan Carlos. Tango negro. La historia negada: orígenes, desarrollo y actualidad del tango. Buenos Aires: Planeta, 2010.
Chamosa, Oscar. “‘To Honor the Ashes of Their Forebears’: The Rise and Crisis of African Nations in the Post-Independence State of Buenos Aires, 1820–1860.” The Americas 59, no. 3 (2003): 347–378.
Chasteen, John Charles. National Rhythms, African Roots: The Deep History of Latin American Popular Dance. Albuquerque: University of New Mexico Press, 2004.
Cirio, Norberto Pablo. “Ausente con aviso: ¿Qué es la música afroargentina?” In Músicas populares: aproximaciones teóricas, metodológicas y analíticas en la musicología argentina, edited by Federico Sammartino and Héctor Rubio, 81–134. Córdoba: Universidad Nacional de Córdoba, 2008.
La historia negra del tango. Todo tiene su “historia negra” pero de ésta estamos orgullosos. Buenos Aires: Museo Casa Carlos Gardel, 2010.
“La presencia del negro en grabaciones de tango y géneros afines.” In Buenos Aires negra: Identidad y cultura, edited by Leticia Maronese, 25–59. Buenos Aires: Comisión para la Preservación del Patrimonio Histórico Cultural de la Ciudad de Buenos Aires, 2006.
Tinta negra en el gris del ayer: los afroporteños a través de sus periódicos entre 1873 y 1882. Buenos Aires: Teseo, 2009.
Farris Thompson, Robert. Tango: The Art History of Love. New York: Pantheon, 2005.
Frigerio, Alejandro. Cultura negra en el Cono Sur: representaciones en conflicto. Buenos Aires: Facultad de Ciencias Sociales y Económicas de la Universidad Católica Argentina, 2000.
Geler, Lea. Andares negros, caminos blancos: Afroporteños, Estado y Nación Argentina a fines de siglo XIX. Rosario: Prohistoria Ediciones/TEIAA, 2010.
Gesualdo, Vicente. Historia de la música en la Argentina. Vol. II. Buenos Aires: Editorial Beta, 1961.
Historia de la música en la Argentina. Vol. III. Buenos Aires: Editorial Beta, 1961.
Goldman, Gustavo. Lucamba: herencia africana en el tango (1870–1890). Montevideo: Perro Andaluz, 2008.
González Bernaldo de Quirós, Pilar. Civilidad y política en los orígenes de la nación argentina: Las sociabilidades en Buenos Aires, 1829–1862. Buenos Aires: Fondo de Cultura Económica, 2008.
Guibert, Fernando. Los argentinos y el tango. Buenos Aires: Ediciones Culturales Argentinas, 1973.
Karush, Matthew B. “Blackness in Argentina: Jazz, Tango and Race before Perón.” Past & Present 216, no. 1 (2012): 215–245.
Kordon, Bernardo. Candombe: contribución al estudio de la raza negra en el Río de la Plata. Buenos Aires: Continente, 1938.
Lanuza, José Luis. Morenada. Buenos Aires, Emecé, 1946.
Martínez Estrada, Ezequiel. La cabeza de Goliat: microscopía de Buenos Aires. Buenos Aires: Nova, 1957.
Natale, Óscar. Buenos Aires, negros y tango. Buenos Aires: Peña Lillo, 1984.
Novati, Jorge, and Inés Cuello, eds. Antología del tango rioplatense. Vol. I. Buenos Aires: Instituto Nacional de Musicología Carlos Vega, 1980.
Ortiz Oderigo, Néstor. Aspectos de la cultura africana en el Río de la Plata. Buenos Aires: Plus Ultra, 1974.
Calunga: croquis del candombe. Buenos Aires: EUDEBA, 1969.
Esquema de la música afroargentina. Buenos Aires: Universidad Nacional de Tres de Febrero, 2008.
“Las ‘naciones’ africanas.” Todo es historia, November 1980.
Ratier, Hugo E. “Candombes porteños.” VICUS Cuadernos (Johen Benjamins B.V., Amsterdam), 1 (1977): 87–150.
Rodríguez Molas, Ricardo. La música y la danza de los negros en el Buenos Aires de los siglos XVIII y XIX. Buenos Aires: Clio, 1957.
“Los afroargentinos y el origen del tango (sociedad, danzas, salones de baile y folclore urbano).” Desmemoria 7, no. 27 (2000): 87–132.
Rossi, Vicente. Cosas de negros. Buenos Aires: Taurus, 2001.
Varela, Gustavo. Tango. Una pasión ilustrada. Buenos Aires: Ediciones LEA, 2010.
Tango y política: sexo, moral burguesa y revolución en Argentina. Buenos Aires, Argentina: Ariel, 2016.
Vega, Carlos. Danzas y canciones argentinas. Teorías e investigaciones. Un ensayo sobre el tango. Buenos Aires: Ricordi, 1936.
Villanueva, Estanislao. “El candombe nació en África y se hizo rioplatense.” Todo es historia, November 1980.
Choreo-musical Analysis
Accompanying Materials to Chapter 15:
Synthesizing Analyses: A Choreomusical Study of “La cumparsita”
Rebecca Simpson-Litke
WL 15.1. Juan Carlos Copes and Cecilia Narova dancing to “La cumparsita,” by Gerardo Matos Rodríguez, played by the Orchestra Ensemble Lalo Schriffin, from Carlos Saura’s film Tango (1998). Note: YouTube allows the viewer to play videos at reduced playback speeds, which is often helpful in processing choreography that goes by quickly at full speed.
WE 15.1. “La cumparsita” A section music and dance transcription.
Click the below file to enlarge to full-screen for easier reading.
WE 15.1. “La cumparsita” A section music and dance transcription.
Click the below file to enlarge to full-screen for easier reading.
WE 15.2. “La cumparsita” B section music and dance transcription.
Click the below file to enlarge to full-screen for easier reading.
WE 15.3 “La cumparsita” C section music and dance transcription.
Click the below file to enlarge to full-screen for easier reading.
WE 15.4. “La cumparsita” A’ section music and dance transcription.
Click the below file to enlarge to full-screen for easier reading.
Bell, Matthew. “Danses Fantastiques: Metrical Dissonance in the Ballet Music of P. I.
Tchaikovsky.” Journal of Music Theory 65, no. 1 (2021): 107–137.
Bilidas, Stephanie. “An Investigation of Metrical Dissonance in Tap Dance Improvisation.” Paper presented at the annual meeting of the Society for Music Theory, Columbus, OH, November 7–10, 2019.
Bosse, Joanna. “Salsa Dance and the Transformation of Style: An Ethnographic Study of Movement and Meaning in a Cross-Cultural Context.” Dance Research Journal 41, no. 1 (2008): 45–64.
Browning, Barbara. Samba: Resistance in Motion. Bloomington: Indiana University Press, 1995.
Caplin, William. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven. New York: Oxford University Press, 1998.
Cohn, Richard. “A Platonic Model of Funky Rhythms.” Music Theory Online 22, no. 2 (2016).
Cox, Arnie. “Embodying Music: Principles of the Mimetic Hypothesis.” Music Theory Online 17, no. 2 (2011).
Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking. Bloomington: Indiana University Press, 2016.
Gain, Rachel. “Beyond the Audible: Embodied Choreographic Syncopations in Rhythm Tap Dance.” Paper presented at the annual meeting of Music Theory Midwest, Lawrence, KS, May 6–7, 2022.
Gerard, Charley, with Marty Sheller. Salsa: The Rhythm of Latin Music. Tempe: White Cliffs Media, 1998.
Godøy, Rolf Inge, and Marc Leman, eds. Musical Gestures: Sound, Movement, and Meaning. New York: Routledge, 2010.
Gritten, Anthony, and Elaine King, eds. New Perspectives on Music and Gesture. Burlington, VT: Ashgate Publishing Limited, 2011.
Guest, Ann Hutchinson. Choreo-Graphics: A Comparison of Dance Notation Systems from the Fifteenth Century to the Present. New York: Gordon and Breach, 1998.
Hatten, Robert. Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert. Bloomington and Indianapolis: Indiana University Press, 2004.
Jordan, Stephanie. “Music as Structural Basis in the Choreography of Doris Humphrey.” Ph.D. diss., London University, 1986.
Moving Music: Dialogues with Music in 20th Century Ballet. London: Dance Books, 2000.
Mark Morris: Musician-Choreographer. Binstead: Dance Books, 2015.
Kaminsky, David. Social Partner Dance: Body, Sound, and Space. New York: Routledge, 2020.
Krebs, Harald. Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann. New York: Oxford University Press, 1999.
Larson, Steve. Musical Forces: Motion, Metaphor, and Meaning in Music. Bloomington: Indiana University Press, 2012.
Leaman, Kara Yoo. “Analyzing Music and Dance: Balanchine’s Choreography to Tchaikovsky and the Choreomusical Score.” Ph.D. diss., Yale University, 2016.
“Musical Techniques in Balanchine’s Jazzy Bach Ballet.” Journal of Music Theory 65, no. 1 (2021): 139–169.
Link, Kacey, and Kristin Wendland. Tracing Tangueros: Argentine Tango Instrumental Music. New York: Oxford University Press, 2016.
Macedo, Frederico. “Space as Metaphor: The Use of Spatial Metaphors in Music and Music
Writing.” Signata 6 (2015): 215–230.
Mahinka, Janice. “The Musicality of Salsa Dancers: An Ethnographic Study.” Ph.D. diss., City University of New York, 2018.
Mauleón, Rebeca. Salsa Guidebook for Piano and Ensemble. Petaluma, CA: Sher Music Co., 1993.
McMains, Juliet. Spinning Mambo into Salsa: Caribbean Dance in Global Commerce. New York: Oxford University Press, 2015.
McMains, Juliet, and Ben Thomas. “Translating from Pitch to Plié: Music Theory for Dance Scholars and Close Movement Analysis for Music Scholars.” Dance Chronicle 36, no. 2 (2013): 196–217.
Pietrobruno, Sheenagh. Salsa and Its Transnational Moves. Lanham, MD: Lexington Books, 2006.
Rondón, César Miguel. The Book of Salsa: A Chronicle of Urban Music from the Caribbean to New York City. Chapel Hill: University of North Carolina Press, 2008.
Short, Rachel. “‘A-Five, Six, Seven, Eight!’: Musical Counting and Dance Hemiolas in Musical Theatre Tap Dance Breaks.” Paper presented at the annual meeting of the Society for Music Theory, Columbus, OH, November 7–10, 2019.
Simpson-Litke, Rebecca. “Flipped, Broken, and Paused Clave: Dancing through Metric Ambiguities in Salsa Music.” Journal of Music Theory 65, no. 1 (2021): 39–80.
Simpson-Litke, Rebecca, and Chris Stover. “Theorizing Fundamental Music/Dance Interactions
in Salsa.” Music Theory Spectrum 41, no. 1 (2019): 74–103.
Washburne, Christopher. Sounding Salsa: Performing Latin Music in New York City.
Philadelphia: Temple University Press, 2008.
Wendland, Kristin. “The Allure of Tango: Grafting Traditional Performance Practice and Style onto Art-Tangos.” College Music Symposium 47 (2007): 1–11.
Bell, Matthew. “Danses Fantastiques: Metrical Dissonance in the Ballet Music of P. I.
Tchaikovsky.” Journal of Music Theory 65, no. 1 (2021): 107–137.
Bilidas, Stephanie. “An Investigation of Metrical Dissonance in Tap Dance Improvisation.” Paper presented at the annual meeting of the Society for Music Theory, Columbus, OH, November 7–10, 2019.
Bosse, Joanna. “Salsa Dance and the Transformation of Style: An Ethnographic Study of Movement and Meaning in a Cross-Cultural Context.” Dance Research Journal 41, no. 1 (2008): 45–64.
Browning, Barbara. Samba: Resistance in Motion. Bloomington: Indiana University Press, 1995.
Caplin, William. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven. New York: Oxford University Press, 1998.
Cohn, Richard. “A Platonic Model of Funky Rhythms.” Music Theory Online 22, no. 2 (2016).
Cox, Arnie. “Embodying Music: Principles of the Mimetic Hypothesis.” Music Theory Online 17, no. 2 (2011).
Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking. Bloomington: Indiana University Press, 2016.
Gain, Rachel. “Beyond the Audible: Embodied Choreographic Syncopations in Rhythm Tap Dance.” Paper presented at the annual meeting of Music Theory Midwest, Lawrence, KS, May 6–7, 2022.
Gerard, Charley, with Marty Sheller. Salsa: The Rhythm of Latin Music. Tempe: White Cliffs Media, 1998.
Godøy, Rolf Inge, and Marc Leman, eds. Musical Gestures: Sound, Movement, and Meaning. New York: Routledge, 2010.
Gritten, Anthony, and Elaine King, eds. New Perspectives on Music and Gesture. Burlington, VT: Ashgate Publishing Limited, 2011.
Guest, Ann Hutchinson. Choreo-Graphics: A Comparison of Dance Notation Systems from the Fifteenth Century to the Present. New York: Gordon and Breach, 1998.
Hatten, Robert. Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert. Bloomington and Indianapolis: Indiana University Press, 2004.
Jordan, Stephanie. “Music as Structural Basis in the Choreography of Doris Humphrey.” Ph.D. diss., London University, 1986.
Moving Music: Dialogues with Music in 20th Century Ballet. London: Dance Books, 2000.
Mark Morris: Musician-Choreographer. Binstead: Dance Books, 2015.
Kaminsky, David. Social Partner Dance: Body, Sound, and Space. New York: Routledge, 2020.
Krebs, Harald. Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann. New York: Oxford University Press, 1999.
Larson, Steve. Musical Forces: Motion, Metaphor, and Meaning in Music. Bloomington: Indiana University Press, 2012.
Leaman, Kara Yoo. “Analyzing Music and Dance: Balanchine’s Choreography to Tchaikovsky and the Choreomusical Score.” Ph.D. diss., Yale University, 2016.
“Musical Techniques in Balanchine’s Jazzy Bach Ballet.” Journal of Music Theory 65, no. 1 (2021): 139–169.
Link, Kacey, and Kristin Wendland. Tracing Tangueros: Argentine Tango Instrumental Music. New York: Oxford University Press, 2016.
Macedo, Frederico. “Space as Metaphor: The Use of Spatial Metaphors in Music and Music
Writing.” Signata 6 (2015): 215–230.
Mahinka, Janice. “The Musicality of Salsa Dancers: An Ethnographic Study.” Ph.D. diss., City University of New York, 2018.
Mauleón, Rebeca. Salsa Guidebook for Piano and Ensemble. Petaluma, CA: Sher Music Co., 1993.
McMains, Juliet. Spinning Mambo into Salsa: Caribbean Dance in Global Commerce. New York: Oxford University Press, 2015.
McMains, Juliet, and Ben Thomas. “Translating from Pitch to Plié: Music Theory for Dance Scholars and Close Movement Analysis for Music Scholars.” Dance Chronicle 36, no. 2 (2013): 196–217.
Pietrobruno, Sheenagh. Salsa and Its Transnational Moves. Lanham, MD: Lexington Books, 2006.
Rondón, César Miguel. The Book of Salsa: A Chronicle of Urban Music from the Caribbean to New York City. Chapel Hill: University of North Carolina Press, 2008.
Short, Rachel. “‘A-Five, Six, Seven, Eight!’: Musical Counting and Dance Hemiolas in Musical Theatre Tap Dance Breaks.” Paper presented at the annual meeting of the Society for Music Theory, Columbus, OH, November 7–10, 2019.
Simpson-Litke, Rebecca. “Flipped, Broken, and Paused Clave: Dancing through Metric Ambiguities in Salsa Music.” Journal of Music Theory 65, no. 1 (2021): 39–80.
Simpson-Litke, Rebecca, and Chris Stover. “Theorizing Fundamental Music/Dance Interactions
in Salsa.” Music Theory Spectrum 41, no. 1 (2019): 74–103.
Washburne, Christopher. Sounding Salsa: Performing Latin Music in New York City.
Philadelphia: Temple University Press, 2008.
Wendland, Kristin. “The Allure of Tango: Grafting Traditional Performance Practice and Style onto Art-Tangos.” College Music Symposium 47 (2007): 1–11.
Tango & Politics
Accompanying Materials to Chapter 16:
Mixed Messages: Tango and Argentine Politics
Matthew B. Karush
WL 16.1. “Margot,” by Carlos Gardel and José Ricardo/Celedonio Flores, recorded by Gardel and Ricardo.
WL 16.1. “Margot,” by Carlos Gardel and José Ricardo/Celedonio Flores, recorded by Gardel and Ricardo.
WL 16.2. “Cambalache” (“Hodgepodge” or “Junk Shop,” by Enrique Santos Discépolo, recorded by recorded by Tita Merello, Francisco Canaro and his Orquesta Típica.
WL 16.3 “Gallo ciego” (“Blind Rooster”) by Agustín Bardí, recorded by Julio De Caro and his Orquesta Típica.
WL 16.5 “Así se baila el tango” (“This Is How the Tango Is Danced”) by Elías Randal/Marvil, recorded by Alberto Castillo, Ricardo Tanturi and his Orquesta.
WL 16.6. “Fuga y misterio” (“Fugue and Mystery”) from María de Buenos Aires, by Astor Piazzolla/Horacio Ferrer, recorded by Piazzolla and his ensemble with Ferrer.
Archetti, Eduardo. Masculinities: Football, Polo, and the Tango in Argentina. Oxford: Berg, 1999.
Armus, Diego. “Tango, Gender, and Tuberculosis in Buenos Aires.” In Disease in the History of Modern Latin America, 101–129. Durham, NC: Duke University Press, 2003.
Azzi, María Susana and Simon Collier, Le Grand Tango: The Life and Music of Astor Piazzolla. New York: Oxford University Press, 2000.
Cañardo, Marina. Fábricas de músicas: Comienzos de la industria discográfica en la Argentina (1919–1930). Buenos Aires: Gourmet Musical, 2017.
Castro, Donald. “The Massification of the Tango: The Electronic Media, the Popular Theatre and the Cabaret from Contursi to Perón, 1917–1955.” Studies in Latin American Popular Culture 18 (1999): 93–115.
Chamosa, Oscar. “Lúbolos, Tenorios y Moreiras: reforma liberal y cultura popular en el carnaval de Buenos Aires de la segunda mitad del siglo XIX.” In La vida política en la Argentina del siglo XIX: Armas, votos y voces, edited by Hilda Sabato and Alberto Lettieri, 115−135. Buenos Aires: Fondo de Cultura Económica de Argentina, 2003.
Chasteen, John Charles. National Rhythms, African Roots: The Deep History of Latin American Popular Dance. Albuquerque: University of New Mexico Press, 2004.
Chindemi, Julia, and Pablo Vila. “La música popular argentina entre el campo y la ciudad: música campera, criolla, nativa, folklórica, canción federal y tango.” ArtCultura 19, no. 34 (2017): 9−26.
Cibotti, Ema. “El tango argentino como genuina expresión de las clases medias.” In Escritos sobre tango 2, edited by Teresita Lencina, 91−107. Buenos Aires: Centro ‘feca, 2011.
Denning, Michael. Noise Uprising: The Audiopolitics of a World Musical Revolution. London: Verso, 2015.
Fischerman, Diego, and Abel Gilbert. Piazzolla el mal entendido. Buenos Aires: Edhasa, 2009.
Gálvez, Eduardo. “El tango en su época de gloria: ni prostibulario, ni orillero: Los bailes en los clubes sociales y deportivos de Buenos Aires 1938–1959.” Nuevo Mundo, Mundos Nuevos (February 6, 2009) https://journals.openedition.org/nuevomundo/55183.
Guy, Donna. Sex and Danger in Buenos Aires: Prostitution, Family, and Nation in Argentina. Lincoln: University of Nebraska Press, 1990.
Karush, Matthew B. Culture of Class: Radio and Cinema in the Making of a Divided Argentina. Durham, NC: Duke University Press, 2012.
Musicians in Transit: Argentina and the Globalization of Popular Music. Durham, NC: Duke University Press, 2017.
Link, Kacey, and Kristin Wendland, Tracing Tangueros: Argentine Tango Instrumental Music. New York: Oxford University Press, 2016.
Liska, María Mercedes. “El arte de adecentar los sonidos: Huellas de las operaciones de normalización del tango argentino.” Latin American Music Review 35:1 (2014): 25–49.
“La revitalización del baile social del tango en Buenos Aires: Neoliberalismo y cultura popular durante la década de 1990.” Ethnomusicology Review 18 (2013) https://ethnomusicologyreview.ucla.edu/journal/volume/18/piece/702.
Luker, Morgan James. The Tango Machine: Musical Culture in the Age of Expediency. Chicago: University of Chicago Press, 2016.
Matallana, Andrea. Locos por la radio: Una historia social de la radiofonía en la Argentina, 1923–1947. Buenos Aires: Prometeo, 2006.
El Tango entre dos Américas. Representaciones en Estados Unidos durante las primeras décadas del siglo XX (Buenos Aires: Eudeba, 2016).
Matamoro, Blas. La cuidad del tango: Tango histórico y Sociedad. Buenos Aires: Editorial Galerna, 1969.
Miller, Karl Hagstrom. Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow. Durham, NC: Duke University Press, 2010.
Prieto, Adolfo. El discurso criollista en la formación de la Argentina moderna. Buenos Aires: Sudamericana, 1988.
Romano, Eduardo. “Prólogo.” In Las letras del tango: Antología cronológica 1900–1980. Rosario, Argentina: Fundación Ross, 1998.
Salas, Horacio. El Tango. Buenos Aires: Planeta, 1995.
Savigliano, Marta. Tango and the Political Economy of Passion. Boulder, CO: Westview, 1995.
Ulla, Noemí. Tango, rebelión y nostalgia. Buenos Aires: Jorge Alvarez, 1967.
Varela, Gustavo. Tango y política: sexo, moral burguesa y revolución en Argentina. Buenos Aires: Ariel, 2016.
Vila, Pablo. “Tango to Folk: Hegemony Construction and Popular Identities in Argentina.” Studies in Latin American Popular Culture 10 (1991): 113–121.
Archetti, Eduardo. Masculinities: Football, Polo, and the Tango in Argentina. Oxford: Berg, 1999.
Armus, Diego. “Tango, Gender, and Tuberculosis in Buenos Aires.” In Disease in the History of Modern Latin America, 101–129. Durham, NC: Duke University Press, 2003.
Azzi, María Susana and Simon Collier, Le Grand Tango: The Life and Music of Astor Piazzolla. New York: Oxford University Press, 2000.
Cañardo, Marina. Fábricas de músicas: Comienzos de la industria discográfica en la Argentina (1919–1930). Buenos Aires: Gourmet Musical, 2017.
Castro, Donald. “The Massification of the Tango: The Electronic Media, the Popular Theatre and the Cabaret from Contursi to Perón, 1917–1955.” Studies in Latin American Popular Culture 18 (1999): 93–115.
Chamosa, Oscar. “Lúbolos, Tenorios y Moreiras: reforma liberal y cultura popular en el carnaval de Buenos Aires de la segunda mitad del siglo XIX.” In La vida política en la Argentina del siglo XIX: Armas, votos y voces, edited by Hilda Sabato and Alberto Lettieri, 115−135. Buenos Aires: Fondo de Cultura Económica de Argentina, 2003.
Chasteen, John Charles. National Rhythms, African Roots: The Deep History of Latin American Popular Dance. Albuquerque: University of New Mexico Press, 2004.
Chindemi, Julia, and Pablo Vila. “La música popular argentina entre el campo y la ciudad: música campera, criolla, nativa, folklórica, canción federal y tango.” ArtCultura 19, no. 34 (2017): 9−26.
Cibotti, Ema. “El tango argentino como genuina expresión de las clases medias.” In Escritos sobre tango 2, edited by Teresita Lencina, 91−107. Buenos Aires: Centro ‘feca, 2011.
Denning, Michael. Noise Uprising: The Audiopolitics of a World Musical Revolution. London: Verso, 2015.
Fischerman, Diego, and Abel Gilbert. Piazzolla el mal entendido. Buenos Aires: Edhasa, 2009.
Gálvez, Eduardo. “El tango en su época de gloria: ni prostibulario, ni orillero: Los bailes en los clubes sociales y deportivos de Buenos Aires 1938–1959.” Nuevo Mundo, Mundos Nuevos (February 6, 2009) https://journals.openedition.org/nuevomundo/55183.
Guy, Donna. Sex and Danger in Buenos Aires: Prostitution, Family, and Nation in Argentina. Lincoln: University of Nebraska Press, 1990.
Karush, Matthew B. Culture of Class: Radio and Cinema in the Making of a Divided Argentina. Durham, NC: Duke University Press, 2012.
Musicians in Transit: Argentina and the Globalization of Popular Music. Durham, NC: Duke University Press, 2017.
Link, Kacey, and Kristin Wendland, Tracing Tangueros: Argentine Tango Instrumental Music. New York: Oxford University Press, 2016.
Liska, María Mercedes. “El arte de adecentar los sonidos: Huellas de las operaciones de normalización del tango argentino.” Latin American Music Review 35:1 (2014): 25–49.
“La revitalización del baile social del tango en Buenos Aires: Neoliberalismo y cultura popular durante la década de 1990.” Ethnomusicology Review 18 (2013) https://ethnomusicologyreview.ucla.edu/journal/volume/18/piece/702.
Luker, Morgan James. The Tango Machine: Musical Culture in the Age of Expediency. Chicago: University of Chicago Press, 2016.
Matallana, Andrea. Locos por la radio: Una historia social de la radiofonía en la Argentina, 1923–1947. Buenos Aires: Prometeo, 2006.
El Tango entre dos Américas. Representaciones en Estados Unidos durante las primeras décadas del siglo XX (Buenos Aires: Eudeba, 2016).
Matamoro, Blas. La cuidad del tango: Tango histórico y Sociedad. Buenos Aires: Editorial Galerna, 1969.
Miller, Karl Hagstrom. Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow. Durham, NC: Duke University Press, 2010.
Prieto, Adolfo. El discurso criollista en la formación de la Argentina moderna. Buenos Aires: Sudamericana, 1988.
Romano, Eduardo. “Prólogo.” In Las letras del tango: Antología cronológica 1900–1980. Rosario, Argentina: Fundación Ross, 1998.
Salas, Horacio. El Tango. Buenos Aires: Planeta, 1995.
Savigliano, Marta. Tango and the Political Economy of Passion. Boulder, CO: Westview, 1995.
Ulla, Noemí. Tango, rebelión y nostalgia. Buenos Aires: Jorge Alvarez, 1967.
Varela, Gustavo. Tango y política: sexo, moral burguesa y revolución en Argentina. Buenos Aires: Ariel, 2016.
Vila, Pablo. “Tango to Folk: Hegemony Construction and Popular Identities in Argentina.” Studies in Latin American Popular Culture 10 (1991): 113–121.
Tango & Film
Accompanying Materials to Chapter 17:
(Trans)national Visions: Tango Onscreen
Rielle Navitski
WL 17.1. La vuelta al bulín (Return to the Love Nest) written and directed by José Agustín Ferreyra, 1926. Cinemargentino. https://www.cinemargentino.com/en/films/914988650-la-vuelta-al-bulin.
WL 17.1. La vuelta al bulín (Return to the Love Nest) written and directed by José Agustín Ferreyra, 1926. Cinemargentino. https://www.cinemargentino.com/en/films/914988650-la-vuelta-al-bulin.
WL 17.2. Ayúdame a vivir (Help Me to Live) written by José Agustín Ferreyra and Libertad Lamarque, directed by Ferreyra. 1936. Cine AR, https://play.cine.ar/INCAA/produccion/12.
WL 17.3. La vida es un tango (Life Is a Tango) written and directed by Manuel Romero, 1939. Cine AR. https://play.cine.ar/INCAA/produccion/100.
WL 17.4. Pichuco (nickname for Aníbal Troilo) written by Manuel Romero and Martín Turnes, directed by Martín Turnes, 2014, Cine AR. https://play.cine.ar/INCAA/produccion/1451.
Bilbija, Ksenija, and Leigh A. Payne. “Time is Money: The Memory Market in Latin America.” In Accounting for Violence: Marketing Memory in Latin America, edited by Ksenija Bilbija and Leigh A. Payne, 1–40. Durham, NC: Duke University Press, 2011.
Caneto, Guillermo. Historia de los primeros años del cine en la Argentina, 1895–1910. Buenos Aires: Fundación Cinemateca Argentina, 1996.
Castro, Donald S. The Argentine Tango as Social History: The Soul of a People, 1880–1955. Lampeter: The Edwin Mellen Press, 1991.
Couselo, Jorge Miguel. El negro Ferreyra, un cine por instinto. Buenos Aires: Editorial Freeland, 1969.
Davis, Kathy. Dancing Tango: Passionate Encounters in a Globalizing World. New York: NYU Press, 2015.
D’Lugo, Marvin. “Early Cinematic Tangos: Audiovisual Culture and Transnational Film Aesthetics.” Studies in Hispanic Cinemas 5, no. 1–2 (2009): 9–23.
Erenberg, Lewis A. “Everybody’s Doin’ It: The Pre-World War I Dance Craze, the Castles, and the Modern American Girl.” Feminist Studies 3, no. 1–2 (1975): 155–170.
Farrell, Margaret Jean. “Aspects of Adaptation in the Egyptian Singing Film.” Ph.D. diss., City University of New York Graduate Center, 2012.
Finkielman, Jorge. The Film Industry in Argentina: An Illustrated Cultural History. Jefferson, NC: McFarland, 2014.
Fischer, Lucy. “‘Dancing through the Minefield’: Passion, Pedagogy, Politics, and Production in The Tango Lesson.” Cinema Journal 43, no. 3 (2004): 42–58.
Fowler, Catherine. Sally Potter. Champaign: University of Illinois Press, 2009.
Garramuño, Florencia. Primitive Modernities: Tango, Samba, and Nation, translated by Anna Kazumi Stahl. Stanford, CA: Stanford University Press, 2011.
Gómez, Antonio. “Tango, Politics, and the Musical of Exile.” In Tango Lessons: Movement, Sound, Image, and Text in Contemporary Practice, edited by Marilyn G. Miller, 118–139. Durham, NC: Duke University Press, 2014.
Guano, Emanuela. “She Looks at Him with the Eyes of a Camera: Female Visual Pleasures and the Polemic with Fetishism in Sally Potter’s Tango Lesson.” Third Text 18, no. 5 (2004): 461–474.
Jarvinen, Lisa. The Rise of Spanish-Language Filmmaking: Out from Hollywood’s Shadow, 1929–1939. New Brunswick, NJ: Rutgers University Press, 2012.
Karush, Matthew. Culture of Class: Radio and Cinema in the Making of a Divided Argentina, 1920–1946. Durham, NC: Duke University Press, 2012.
Karush, Matthew. Musicians in Transit: Argentina and the Globalization of Popular Music. Durham, NC: Duke University Press, 2016.
Knowles, Mark. The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries. Jefferson, NC: McFarland, 2009.
Köhler, Kristina. “Tango Mad and Affected by Cinematographitis: Rhythmic ‘Contagions’ Between Screens and Audiences in the 1910s.” In Performing New Media: 1890–1915, edited by Kaveh Askari et al., 203–213. Eastleigh: John Libbey Publishing, 2015.
Lafuente, Víctor Manuel. “Hugo del Carril: historia del tango y política en el cine argentino.” In TangoMedia: Multimodality Matters, edited by Rolf Kailuweit and Vanessa Tölke, 163–177. Baden-Baden: Rombach Wissenschaft, 2020.
López González, Joaquín. “La música cinematográfica de Astor Piazzolla.” Imafronte 18 (2006): 29–44.
Losada, Matt. “Muchacho que vas militando: Stardom, Youth Culture, and Politics in Palito Ortega Films (1970–1975).” Journal of Latin American Cultural Studies 29, no. 1 (2020): 109–131.
Luker, Morgan James. The Tango Machine: Musical Culture in the Age of Expediency. Chicago: University of Chicago Press, 2016.
Maranghello, César. Hugo del Carril. Buenos Aires: Centro Editor de América Latina, 1993.
McManus, Emily J. “The Tango in Translation: Intertextuality, Filmic Representation, and Performing Argentine Tango in the United States.” TranscUlturAl 5, no. 1–2 (2013): 194–213.
Navitski, Rielle. “The Tango on Broadway: Carlos Gardel’s International Stardom and the Transition to Sound in Argentina.” Cinema Journal 51, no. 1 (2011): 26–49.
Ochoa, Pedro. Tango y cine mundial. Buenos Aires: Ediciones del Jilguero, 2003.
Ospina León, Juan Sebastián. Struggles for Recognition: Melodrama and Visibility in Latin American Silent Film. Oakland: University of California Press, 2021.
Podalsky, Laura. “‘Tango, Like Scotch, Is Best Taken Straight’: Cosmopolitan Tastes and Bodies Out of Place.” Studies in Latin American Popular Culture 21 (2002): 131–154.
Poppe, Nicolas. “Made in Joinville: Transnational Identitary Aesthetics in Carlos Gardel’s Early Paramount Films.” Journal of Latin American Cultural Studies 21, no. 4 (2012): 481–495.
Rosenberg, Fernando. “The Return of the Tango in Documentary Film.” In Tango Lessons: Movement, Sound, Image, and Text in Contemporary Practice, edited by Marilyn G. Miller, 140–163. Durham, NC: Duke University Press, 2014.
Savigliano, Marta. Tango and the Political Economy of Passion. New York: Routledge, 1995.
Studlar, Gaylyn. This Mad Masquerade: Stardom and Masculinity in the Jazz Age. New York: Columbia University Press, 1996.
Swanson, Philip. “Going Down on Good Neighbours: Imagining América in Hollywood Movies of the 1930s and 1940s (Flying Down to Rio and Down Argentine Way).” Bulletin of Latin American Research 29, no. 1 (2010): 71–84.
Usabel, Gaizka S. de. The High Noon of American Films in Latin America. Ann Arbor: UMI Research Press, 1982.
Velázquez-Zvierkova, Valentina. “The Canonization of Libertad Lamarque in Mexican (Trans)
National Cinema.” Hispania 102, no. 4 (2019): 601–612.
Vila, Pablo. “Tango to Folk: Hegemony Construction and Popular Identities in Argentina.” Studies in Latin American Popular Culture 10 (1991): 107–139.
Zylberman, Dana. “Entre la tierra argentina y el cielo mexicano: La transnacionalidad de Libertad Lamarque.” In Pantallas transnacionales: El cine argentino y mexicano del período clásico, edited by Ana Laura Lusnich, Alicia Aisemberg, and Andrea Cuarterolo, 131–147. Buenos Aires: Imago Mundi, 2017.
Bilbija, Ksenija, and Leigh A. Payne. “Time is Money: The Memory Market in Latin America.” In Accounting for Violence: Marketing Memory in Latin America, edited by Ksenija Bilbija and Leigh A. Payne, 1–40. Durham, NC: Duke University Press, 2011.
Caneto, Guillermo. Historia de los primeros años del cine en la Argentina, 1895–1910. Buenos Aires: Fundación Cinemateca Argentina, 1996.
Castro, Donald S. The Argentine Tango as Social History: The Soul of a People, 1880–1955. Lampeter: The Edwin Mellen Press, 1991.
Couselo, Jorge Miguel. El negro Ferreyra, un cine por instinto. Buenos Aires: Editorial Freeland, 1969.
Davis, Kathy. Dancing Tango: Passionate Encounters in a Globalizing World. New York: NYU Press, 2015.
D’Lugo, Marvin. “Early Cinematic Tangos: Audiovisual Culture and Transnational Film Aesthetics.” Studies in Hispanic Cinemas 5, no. 1–2 (2009): 9–23.
Erenberg, Lewis A. “Everybody’s Doin’ It: The Pre-World War I Dance Craze, the Castles, and the Modern American Girl.” Feminist Studies 3, no. 1–2 (1975): 155–170.
Farrell, Margaret Jean. “Aspects of Adaptation in the Egyptian Singing Film.” Ph.D. diss., City University of New York Graduate Center, 2012.
Finkielman, Jorge. The Film Industry in Argentina: An Illustrated Cultural History. Jefferson, NC: McFarland, 2014.
Fischer, Lucy. “‘Dancing through the Minefield’: Passion, Pedagogy, Politics, and Production in The Tango Lesson.” Cinema Journal 43, no. 3 (2004): 42–58.
Fowler, Catherine. Sally Potter. Champaign: University of Illinois Press, 2009.
Garramuño, Florencia. Primitive Modernities: Tango, Samba, and Nation, translated by Anna Kazumi Stahl. Stanford, CA: Stanford University Press, 2011.
Gómez, Antonio. “Tango, Politics, and the Musical of Exile.” In Tango Lessons: Movement, Sound, Image, and Text in Contemporary Practice, edited by Marilyn G. Miller, 118–139. Durham, NC: Duke University Press, 2014.
Guano, Emanuela. “She Looks at Him with the Eyes of a Camera: Female Visual Pleasures and the Polemic with Fetishism in Sally Potter’s Tango Lesson.” Third Text 18, no. 5 (2004): 461–474.
Jarvinen, Lisa. The Rise of Spanish-Language Filmmaking: Out from Hollywood’s Shadow, 1929–1939. New Brunswick, NJ: Rutgers University Press, 2012.
Karush, Matthew. Culture of Class: Radio and Cinema in the Making of a Divided Argentina, 1920–1946. Durham, NC: Duke University Press, 2012.
Karush, Matthew. Musicians in Transit: Argentina and the Globalization of Popular Music. Durham, NC: Duke University Press, 2016.
Knowles, Mark. The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries. Jefferson, NC: McFarland, 2009.
Köhler, Kristina. “Tango Mad and Affected by Cinematographitis: Rhythmic ‘Contagions’ Between Screens and Audiences in the 1910s.” In Performing New Media: 1890–1915, edited by Kaveh Askari et al., 203–213. Eastleigh: John Libbey Publishing, 2015.
Lafuente, Víctor Manuel. “Hugo del Carril: historia del tango y política en el cine argentino.” In TangoMedia: Multimodality Matters, edited by Rolf Kailuweit and Vanessa Tölke, 163–177. Baden-Baden: Rombach Wissenschaft, 2020.
López González, Joaquín. “La música cinematográfica de Astor Piazzolla.” Imafronte 18 (2006): 29–44.
Losada, Matt. “Muchacho que vas militando: Stardom, Youth Culture, and Politics in Palito Ortega Films (1970–1975).” Journal of Latin American Cultural Studies 29, no. 1 (2020): 109–131.
Luker, Morgan James. The Tango Machine: Musical Culture in the Age of Expediency. Chicago: University of Chicago Press, 2016.
Maranghello, César. Hugo del Carril. Buenos Aires: Centro Editor de América Latina, 1993.
McManus, Emily J. “The Tango in Translation: Intertextuality, Filmic Representation, and Performing Argentine Tango in the United States.” TranscUlturAl 5, no. 1–2 (2013): 194–213.
Navitski, Rielle. “The Tango on Broadway: Carlos Gardel’s International Stardom and the Transition to Sound in Argentina.” Cinema Journal 51, no. 1 (2011): 26–49.
Ochoa, Pedro. Tango y cine mundial. Buenos Aires: Ediciones del Jilguero, 2003.
Ospina León, Juan Sebastián. Struggles for Recognition: Melodrama and Visibility in Latin American Silent Film. Oakland: University of California Press, 2021.
Podalsky, Laura. “‘Tango, Like Scotch, Is Best Taken Straight’: Cosmopolitan Tastes and Bodies Out of Place.” Studies in Latin American Popular Culture 21 (2002): 131–154.
Poppe, Nicolas. “Made in Joinville: Transnational Identitary Aesthetics in Carlos Gardel’s Early Paramount Films.” Journal of Latin American Cultural Studies 21, no. 4 (2012): 481–495.
Rosenberg, Fernando. “The Return of the Tango in Documentary Film.” In Tango Lessons: Movement, Sound, Image, and Text in Contemporary Practice, edited by Marilyn G. Miller, 140–163. Durham, NC: Duke University Press, 2014.
Savigliano, Marta. Tango and the Political Economy of Passion. New York: Routledge, 1995.
Studlar, Gaylyn. This Mad Masquerade: Stardom and Masculinity in the Jazz Age. New York: Columbia University Press, 1996.
Swanson, Philip. “Going Down on Good Neighbours: Imagining América in Hollywood Movies of the 1930s and 1940s (Flying Down to Rio and Down Argentine Way).” Bulletin of Latin American Research 29, no. 1 (2010): 71–84.
Usabel, Gaizka S. de. The High Noon of American Films in Latin America. Ann Arbor: UMI Research Press, 1982.
Velázquez-Zvierkova, Valentina. “The Canonization of Libertad Lamarque in Mexican (Trans)
National Cinema.” Hispania 102, no. 4 (2019): 601–612.
Vila, Pablo. “Tango to Folk: Hegemony Construction and Popular Identities in Argentina.” Studies in Latin American Popular Culture 10 (1991): 107–139.
Zylberman, Dana. “Entre la tierra argentina y el cielo mexicano: La transnacionalidad de Libertad Lamarque.” In Pantallas transnacionales: El cine argentino y mexicano del período clásico, edited by Ana Laura Lusnich, Alicia Aisemberg, and Andrea Cuarterolo, 131–147. Buenos Aires: Imago Mundi, 2017.
Transculture
Accompanying Materials to Chapter 18:
Tango, Emotion, and Transculturality in the Twentieth and Twenty-First Centuries
Yuiko Asaba
Asaba, Yuiko. “The Notion of Mugre in Argentine Tango Violin Performance.” Conference paper, National Graduate Conference for Ethnomusicology, University of Cambridge, 2006.
“‘Folds of the Heart’: Performing Life Experience, Emotion, and Empathy in Japanese Tango Music Culture.” Ethnomusicology Forum 28, no. 1 (2019): 45–65.
“The Reception of Tango and the Creation of Its Authenticity in Twentieth Century Japan: A Study from the Perspective of “Internalized Modernity”.” (「20世紀日本におけるタンゴの需要と「本場」意識の形成—内面化されたモダニティという視点からの一考察」) Popular Music Studies (『ポピュラー音楽研究』) 24 (2020): 3–15.
“Demarcating Status: Tango Music and Dance in Japan, 1913–1940.” In Worlds of Social Dancing: Dance Floor Encounters and the Global Rise of Couple Dancing, c. 1910–40, edited by Klaus Nathaus and James Nott, 154–176. Manchester: Manchester University Press, 2022.
Azami, Toshio. Tango and the Japanese (タンゴと日本人). Tokyo: Shūeisha, 2018.
Azzi, Maria Susana. “The Tango, Peronism, and Astor Piazzolla During the 1940s and ‘50s.” In From Tejano to Tango: Latin American Popular Music, edited by Walter A. Clark, 25–40. New York: Routledge, 2002.
Bigenho, Michelle. Intimate Distance: Andean Music in Japan. Durham, NC: Duke University Press, 2012.
Butterworth, James. “Andean Divas: Emotion, Ethics and Intimate Spectacle in Peruvian Huayno Music.” Ph.D. diss., Royal Holloway, University of London, 2014.
Chowrimootoo, Christopher. Middlebrow Modernism: Britten’s Operas and the Great Divide. Oakland, CA: University of California Press, 2018.
Cupchik, Gerald C. The Aesthetics of Emotion: Up the Down Staircase of the Mind-Body. Cambridge: Cambridge University Press, 2016.
Douglas, Mary. Purity and Danger: An Analysis of Concepts of Pollution and Taboo. New York: Routledge, 1966.
Fox, Aaron A. “The Jukebox of History: Narratives of Loss and Desire in the Discourse of Country Music.” Popular Music 11, no.1 (1992): 53–72.
Frith, Simon. Performing Rites: On the Value of Popular Music. Cambridge, MA: Harvard University Press, 1998.
Garramuño, Florencia. Primitive Modernities: Tango, Samba, and Nation, translated by Anna Kazumi Stahl. Redwood City, CA: Stanford University Press, 2011.
Gray, Lila Ellen. Fado Resounding: Affective Politics and Urban Life. Durham, NC: Duke University Press, 2013.
Guthrie, Kate. Music and Middlebrow Culture in Modern Britain. Oakland, CA: University of California Press, 2019.
Harootunian, Harry D. Overcome by Modernity: History, Culture, and Community in Interwar Japan. Princeton, NJ: Princeton University Press, 2000.
Heinonen, Yrjö. “Globalisation, Hybridisation, and the Finnishness of the Finnish Tango.” Etnomusikologian vuosikirja 28 (2016): 1–36.
Howland, John. Between the Muses and the Masses: Symphonic Jazz, “Glorified” Entertainment, and the Rise of the American Musical Middlebrow, 1920–1944. Redwood City, CA: Stanford University Press, 2002.
Hughes, David W. Traditional Folk Song in Modern Japan: Sources, Sentiment, and Society. Folkestone: Global Oriental, 2008.
Karush, Matthew B. Culture of Class: Radio and Cinema in the Making of a Divided Argentina, 1920–1946. Durham, NC: Duke University Press, 2012.
Katō, Hidetoshi. Chūkan Bunkaron (A Study of the Middle Culture). In Katō Hidetoshi Chosakushū 6 (Collection of Essays by Katō Hidetoshi Vol. 6), edited by Katō Hidetoshi, 259–298. Tokyo: Chūō Kōronsha, 1957/1980.
Keil, Charles. “Participatory Discrepancy and the Power of Music.” Cultural Anthropology 2, no. 3 (August 1987): 275–283.
Knauth, Dorcinda Celiena. “Discourses of Authenticity in the Argentine Tango Community of Pittsburgh.” Master’s thesis, University of Pittsburgh, 2005.
Kondo, Dorinne K. Crafting Selves: Power, Gender, and Discourses of Identity in a Japanese Workplace. Chicago: University of Chicago Press, 1990.
Levine, Lawrence W. Highbrow Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, MA: Harvard University Press, 1988.
Link, Kacey, and Kristin Wendland. Tracing Tangueros: Argentine Tango Instrumental Music. New York: Oxford University Press, 2016.
Luker, Morgan James. The Tango Machine: Musical Culture in the Age of Expediency. Chicago: University of Chicago Press, 2016.
Moehn, Frederick. Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene. Durham, NC: Duke University Press, 2012.
Nagasaki, Reo. “Tsunagari” no sengo nihon-shi: Rō-on, soshite Takarazuka, Banpaku (Cultural History of Post-War Japan, the “Cultural Connectivity”: From Rō-on, to Takarazuka, Banpaku). Tokyo: Kawade Shuppan, 2013.
Novak, David. Japanoise: Music at the Edge of Circulation. Durham, NC: Duke University Press, 2013.
Ong, Aihwa. 1999. Flexible Citizenship: The Cultural Logics of Transnationality. Durham, NC: Duke University Press, 1999.
Palomino, Pablo. The Invention of Latin American Music: A Transnational History. New York: Oxford University Press, 2020.
Pearsall, Caroline. “Tango in Diaspora – An Argentine Abroad: An Examination of the Parisian Tango Music Community.” Master’s thesis, Royal Holloway, University of London, 2011.
Pelinski, Ramón. “Astor Piazzolla: entre tango y fuga, en busca de una identidad estilística.” In Estudios sobre la obra de Astor Piazzolla, edited by Omar García Brunelli, 35–56. Buenos Aires: Gourmet Musical Ediciones, 2008.
Quiñones, Jessica. “Constructing the Aesthetic: Approaching the ‘6 Tango-Etudes Pour Flûte Seule’ by Astor Piazzolla (1921–1992) for Interpretation and Performance.” Ph.D. diss., University of Huddersfield, 2013.
Rubin, Joan Shelley. The Making of Middlebrow Culture. Chapel Hill: University of North Carolina Press, 1992.
Savigliano, Marta E. Tango and the Political Economy of Passion. Boulder, CO: Westview Press, 1995.
Stokes, Martin. Republic of Love: Cultural Intimacy in Turkish Popular Music. Chicago: University of Chicago Press, 2010.
Tajima, Hayato. “Modern Japan’s Melodramatic Imagination and ‘Crossing of Borders’: Discourse Analysis of Argentine Tango” (“Modan nihon no merodrama teki sōzōryoku to ‘ekkyō’: Aruzenchin/tango wo meguru gensetsu bunseki”). Bigaku Geijutsugaku Kenkyū 27 (2009), 157–205.
Taylor, Julie, Paper Tangos. Durham, NC: Duke University Press, 1998.
Tucker, Hazel. “Empathy and Tourism: Limits and Possibilities.” Annals of Tourism Research 57 (2016): 31–43.
Wajima, Yūsuke. “Are We the ‘World’? Whose Children Are We? Globalisation, Self-Orientalism and World Music in Japan.” Dialogue & Universalism 13, no. 11/12 (2003): 103–112.
Willoughby, Heather. “The Sound of Han: P’ansori, Timbre and a Korean Ethos of Pain and Suffering.” Yearbook for Traditional Music 32 (2000): 17–30.
Yano, Christine R. Tears of Longing: Nostalgia and the Nation in Japanese Popular Song. Cambridge, MA: Harvard University Press, 2002.
Interviews
Abo, Ikuo. Interview by Yuiko Asaba. Tokyo, Japan. July 23, 2014.
Asaba, Rica. Interview by Yuiko Asaba. Kyoto, Japan. July 11, 2014.
Monna, Toshio. Interview by Yuiko Asaba. Kyoto, Japan. March 9, 2011.
Pazo, Carlos. Interview by Yuiko Asaba. Buenos Aires, Argentina. June 11, 2006
Rouchetto, Nélida. Interview by Yuiko Asaba. Buenos Aires, Argentina. June 23 2006.
Suárez Paz, Fernando. Interview by Yuiko Asaba. Buenos Aires, Argentina. May 24, 2006.
Sugawara, Youichi. Interview by Yuiko Asaba (telephone). Oxford, United Kingdom–Tokyo, Japan. April 19, 2021.
Asaba, Yuiko. “The Notion of Mugre in Argentine Tango Violin Performance.” Conference paper, National Graduate Conference for Ethnomusicology, University of Cambridge, 2006.
“‘Folds of the Heart’: Performing Life Experience, Emotion, and Empathy in Japanese Tango Music Culture.” Ethnomusicology Forum 28, no. 1 (2019): 45–65.
“The Reception of Tango and the Creation of Its Authenticity in Twentieth Century Japan: A Study from the Perspective of “Internalized Modernity”.” (「20世紀日本におけるタンゴの需要と「本場」意識の形成—内面化されたモダニティという視点からの一考察」) Popular Music Studies (『ポピュラー音楽研究』) 24 (2020): 3–15.
“Demarcating Status: Tango Music and Dance in Japan, 1913–1940.” In Worlds of Social Dancing: Dance Floor Encounters and the Global Rise of Couple Dancing, c. 1910–40, edited by Klaus Nathaus and James Nott, 154–176. Manchester: Manchester University Press, 2022.
Azami, Toshio. Tango and the Japanese (タンゴと日本人). Tokyo: Shūeisha, 2018.
Azzi, Maria Susana. “The Tango, Peronism, and Astor Piazzolla During the 1940s and ‘50s.” In From Tejano to Tango: Latin American Popular Music, edited by Walter A. Clark, 25–40. New York: Routledge, 2002.
Bigenho, Michelle. Intimate Distance: Andean Music in Japan. Durham, NC: Duke University Press, 2012.
Butterworth, James. “Andean Divas: Emotion, Ethics and Intimate Spectacle in Peruvian Huayno Music.” Ph.D. diss., Royal Holloway, University of London, 2014.
Chowrimootoo, Christopher. Middlebrow Modernism: Britten’s Operas and the Great Divide. Oakland, CA: University of California Press, 2018.
Cupchik, Gerald C. The Aesthetics of Emotion: Up the Down Staircase of the Mind-Body. Cambridge: Cambridge University Press, 2016.
Douglas, Mary. Purity and Danger: An Analysis of Concepts of Pollution and Taboo. New York: Routledge, 1966.
Fox, Aaron A. “The Jukebox of History: Narratives of Loss and Desire in the Discourse of Country Music.” Popular Music 11, no.1 (1992): 53–72.
Frith, Simon. Performing Rites: On the Value of Popular Music. Cambridge, MA: Harvard University Press, 1998.
Garramuño, Florencia. Primitive Modernities: Tango, Samba, and Nation, translated by Anna Kazumi Stahl. Redwood City, CA: Stanford University Press, 2011.
Gray, Lila Ellen. Fado Resounding: Affective Politics and Urban Life. Durham, NC: Duke University Press, 2013.
Guthrie, Kate. Music and Middlebrow Culture in Modern Britain. Oakland, CA: University of California Press, 2019.
Harootunian, Harry D. Overcome by Modernity: History, Culture, and Community in Interwar Japan. Princeton, NJ: Princeton University Press, 2000.
Heinonen, Yrjö. “Globalisation, Hybridisation, and the Finnishness of the Finnish Tango.” Etnomusikologian vuosikirja 28 (2016): 1–36.
Howland, John. Between the Muses and the Masses: Symphonic Jazz, “Glorified” Entertainment, and the Rise of the American Musical Middlebrow, 1920–1944. Redwood City, CA: Stanford University Press, 2002.
Hughes, David W. Traditional Folk Song in Modern Japan: Sources, Sentiment, and Society. Folkestone: Global Oriental, 2008.
Karush, Matthew B. Culture of Class: Radio and Cinema in the Making of a Divided Argentina, 1920–1946. Durham, NC: Duke University Press, 2012.
Katō, Hidetoshi. Chūkan Bunkaron (A Study of the Middle Culture). In Katō Hidetoshi Chosakushū 6 (Collection of Essays by Katō Hidetoshi Vol. 6), edited by Katō Hidetoshi, 259–298. Tokyo: Chūō Kōronsha, 1957/1980.
Keil, Charles. “Participatory Discrepancy and the Power of Music.” Cultural Anthropology 2, no. 3 (August 1987): 275–283.
Knauth, Dorcinda Celiena. “Discourses of Authenticity in the Argentine Tango Community of Pittsburgh.” Master’s thesis, University of Pittsburgh, 2005.
Kondo, Dorinne K. Crafting Selves: Power, Gender, and Discourses of Identity in a Japanese Workplace. Chicago: University of Chicago Press, 1990.
Levine, Lawrence W. Highbrow Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, MA: Harvard University Press, 1988.
Link, Kacey, and Kristin Wendland. Tracing Tangueros: Argentine Tango Instrumental Music. New York: Oxford University Press, 2016.
Luker, Morgan James. The Tango Machine: Musical Culture in the Age of Expediency. Chicago: University of Chicago Press, 2016.
Moehn, Frederick. Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene. Durham, NC: Duke University Press, 2012.
Nagasaki, Reo. “Tsunagari” no sengo nihon-shi: Rō-on, soshite Takarazuka, Banpaku (Cultural History of Post-War Japan, the “Cultural Connectivity”: From Rō-on, to Takarazuka, Banpaku). Tokyo: Kawade Shuppan, 2013.
Novak, David. Japanoise: Music at the Edge of Circulation. Durham, NC: Duke University Press, 2013.
Ong, Aihwa. 1999. Flexible Citizenship: The Cultural Logics of Transnationality. Durham, NC: Duke University Press, 1999.
Palomino, Pablo. The Invention of Latin American Music: A Transnational History. New York: Oxford University Press, 2020.
Pearsall, Caroline. “Tango in Diaspora – An Argentine Abroad: An Examination of the Parisian Tango Music Community.” Master’s thesis, Royal Holloway, University of London, 2011.
Pelinski, Ramón. “Astor Piazzolla: entre tango y fuga, en busca de una identidad estilística.” In Estudios sobre la obra de Astor Piazzolla, edited by Omar García Brunelli, 35–56. Buenos Aires: Gourmet Musical Ediciones, 2008.
Quiñones, Jessica. “Constructing the Aesthetic: Approaching the ‘6 Tango-Etudes Pour Flûte Seule’ by Astor Piazzolla (1921–1992) for Interpretation and Performance.” Ph.D. diss., University of Huddersfield, 2013.
Rubin, Joan Shelley. The Making of Middlebrow Culture. Chapel Hill: University of North Carolina Press, 1992.
Savigliano, Marta E. Tango and the Political Economy of Passion. Boulder, CO: Westview Press, 1995.
Stokes, Martin. Republic of Love: Cultural Intimacy in Turkish Popular Music. Chicago: University of Chicago Press, 2010.
Tajima, Hayato. “Modern Japan’s Melodramatic Imagination and ‘Crossing of Borders’: Discourse Analysis of Argentine Tango” (“Modan nihon no merodrama teki sōzōryoku to ‘ekkyō’: Aruzenchin/tango wo meguru gensetsu bunseki”). Bigaku Geijutsugaku Kenkyū 27 (2009), 157–205.
Taylor, Julie, Paper Tangos. Durham, NC: Duke University Press, 1998.
Tucker, Hazel. “Empathy and Tourism: Limits and Possibilities.” Annals of Tourism Research 57 (2016): 31–43.
Wajima, Yūsuke. “Are We the ‘World’? Whose Children Are We? Globalisation, Self-Orientalism and World Music in Japan.” Dialogue & Universalism 13, no. 11/12 (2003): 103–112.
Willoughby, Heather. “The Sound of Han: P’ansori, Timbre and a Korean Ethos of Pain and Suffering.” Yearbook for Traditional Music 32 (2000): 17–30.
Yano, Christine R. Tears of Longing: Nostalgia and the Nation in Japanese Popular Song. Cambridge, MA: Harvard University Press, 2002.
Interviews
Abo, Ikuo. Interview by Yuiko Asaba. Tokyo, Japan. July 23, 2014.
Asaba, Rica. Interview by Yuiko Asaba. Kyoto, Japan. July 11, 2014.
Monna, Toshio. Interview by Yuiko Asaba. Kyoto, Japan. March 9, 2011.
Pazo, Carlos. Interview by Yuiko Asaba. Buenos Aires, Argentina. June 11, 2006
Rouchetto, Nélida. Interview by Yuiko Asaba. Buenos Aires, Argentina. June 23 2006.
Suárez Paz, Fernando. Interview by Yuiko Asaba. Buenos Aires, Argentina. May 24, 2006.
Sugawara, Youichi. Interview by Yuiko Asaba (telephone). Oxford, United Kingdom–Tokyo, Japan. April 19, 2021.
Tango Studies Abroad
Accompanying Materials to Chapter 19:
Tango Studies Abroad:
Gustavo Beytelmann and Codarts University
Bárbara Varassi Pega
Bor, Joep. “Studying World Music: The Next Phase.” In Teaching Musics of the World: The Second International Symposium, Basel, October 14–17, 1993, edited by Margot Lieth-Philipp and Andreas Gutzwiller, 61–81. Affalterbach: Philipp, 1995.
“Manual Artistic Research Design: Methodology toolbox for research in-and-through artistic performance and creation.” Rotterdam: Codarts University of the Arts, 2021.
García Brunelli, Omar. “Los estudios sobre tango observados desde la musicología. Historia, música, letra y baile.” El oído pensante 3, no. 2 (2015): 68–99. http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7463.
Gonnet, Daniel H. “La construcción de conocimientos pluriversales en la escena del tango de principios de siglo XXI. La experiencia de la Escuela Orlando Goñi.” Revista Internacional de Educación Musical 5 (2017): 111–118. www.revistaeducacionmusical.org/index.php/rem1/article/view/127.
Peralta, Julián. La orquesta típica: mecánica y aplicación de los fundamentos técnicos del tango. Buenos Aires: Departamento de Impresiones de la H. C. D. de la Provincia de Buenos Aires, 2008; and later The Tango Orchestra: Fundamental Concepts and Techniques, trans. Morgan James Luker. Warwickshire, UK: Tanguero Publishing/Presto Music, 2016.
Scherbovsky, Natacha. “Julián Peralta: Hacemos tango desde este lugar de resistencia.” La Tinta (March 15, 2017). https://latinta.com.ar/2017/03/julian-peralta-hacemos-tango-desde-este-lugar-de-resistencia/.
Serafini, A. 2016. “Yeites de tango. Análisis de gestos musicales y técnicas extendidas en el tango para su utilización creativa y pedagógica.” Paper presented at I Congreso Internacional de Música Popular, La Plata, October 2016. La Plata: SEDICI, Repositorio Institucional de la Universidad Nacional de La Plata, http://sedici.unlp.edu.ar/handle/10915/77184.
Varassi Pega, Bárbara. The Art of Tango. New York: Routledge, 2021.
Bor, Joep. “Studying World Music: The Next Phase.” In Teaching Musics of the World: The Second International Symposium, Basel, October 14–17, 1993, edited by Margot Lieth-Philipp and Andreas Gutzwiller, 61–81. Affalterbach: Philipp, 1995.
“Manual Artistic Research Design: Methodology toolbox for research in-and-through artistic performance and creation.” Rotterdam: Codarts University of the Arts, 2021.
García Brunelli, Omar. “Los estudios sobre tango observados desde la musicología. Historia, música, letra y baile.” El oído pensante 3, no. 2 (2015): 68–99. http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7463.
Gonnet, Daniel H. “La construcción de conocimientos pluriversales en la escena del tango de principios de siglo XXI. La experiencia de la Escuela Orlando Goñi.” Revista Internacional de Educación Musical 5 (2017): 111–118. www.revistaeducacionmusical.org/index.php/rem1/article/view/127.
Peralta, Julián. La orquesta típica: mecánica y aplicación de los fundamentos técnicos del tango. Buenos Aires: Departamento de Impresiones de la H. C. D. de la Provincia de Buenos Aires, 2008; and later The Tango Orchestra: Fundamental Concepts and Techniques, trans. Morgan James Luker. Warwickshire, UK: Tanguero Publishing/Presto Music, 2016.
Scherbovsky, Natacha. “Julián Peralta: Hacemos tango desde este lugar de resistencia.” La Tinta (March 15, 2017). https://latinta.com.ar/2017/03/julian-peralta-hacemos-tango-desde-este-lugar-de-resistencia/.
Serafini, A. 2016. “Yeites de tango. Análisis de gestos musicales y técnicas extendidas en el tango para su utilización creativa y pedagógica.” Paper presented at I Congreso Internacional de Música Popular, La Plata, October 2016. La Plata: SEDICI, Repositorio Institucional de la Universidad Nacional de La Plata, http://sedici.unlp.edu.ar/handle/10915/77184.
Varassi Pega, Bárbara. The Art of Tango. New York: Routledge, 2021.
Tango & Healing
Accompanying Materials to Chapter 20:
Tango and Healing: A Clinical Research Perspective
Madeleine E. Hackney and J. Lucas McKay
WF 20.1. Relative effects of Adapted Tango vs. a health education class on multimodal outcomes in people with cognitive impairment.
![Color graph mapping ten activities on the horizontal axis and effect size of small, medium, and large on the vertical axis. Activity categories are color coded by Domain (red), Balance Confidence (olive), Cognitive Processing Speed (green), Complex Motor Function (blue), and Simple Motor Function (purple). Specific activities include Balance Confidence Scale (red, medium effect), Trailmaking Test (olive, below small), Backward Gait Speed (green, well above large), Timed Up and Go (green, just above large), 360* [degree symbol] (just above small), Four Square Step Test (blue, well above large), Timed Up and Go—Dual Task (blue, just above medium), Body Position Spatial Task (blue, half way between small and medium), Fast Gait Speed (purple, well above large), and Six Minute Walk Text (purple, just above small).](https://www.tangocompanion.com/wp-content/uploads/2023/08/Web-Figure-20.1.jpg)
WF 20.1. Relative effects of Adapted Tango vs. a health education class on multimodal outcomes in people with cognitive impairment.
WF 20.2. Results of a 2018 study before and after twelve weeks of Adapted Tango in twenty-four Black women caregivers at risk for Alzheimer’s disease. Madeleine E. Hackney and J. Lucas McKay, Atlanta, GA. (Editors’ Note: The “Tower Test” noted in the lower right data set tests executive planning proficiency, incorporating delineation, organization, and integration of behaviors needed to achieve a goal.)
WF 20.3. Partnered rhythmic rehabilitation, illustrating training of motor, cognitive, and social domains.
Allain, Philippe, Frédérique Etcharry-Bouyx and Verny, Christophe. “Executive Functions in Clinical and Preclinical Alzheimer’s Disease.” Revue neurologique 169, no. 10 (October 2013): 695–708. doi: https//doi.org/10.1016/j.neurol.2013.07.020.
Allen, Jessica L., J. Lucas McKay, Andrew Sawers, Madeleine E. Hackney, and Lena H. Ting. “Increased Neuromuscular Consistency in Gait and Balance after Partnered, Dance-Based Rehabilitation in Parkinson’s Disease.” Journal of Neurophysiology 118, no. 1 (July 2017): 363–373. doi: https//doi.org/10.1152/jn00813.2016.
Bella, Simone Dalla, Charles-Etienne Benoit, Nicolas Farrugia, Michael Schwartze, and Sonja A. Kotz. “Effects of Musically Cued Gait Training in Parkinson’s Disease: Beyond a Motor Benefit.” Annals of the New York Academy of Sciences 1337 (March 2015): 77–85. doi: https//doi.org/10.1111/nyas.12651.
Belleville, Sylvie, Howard Chertkow, and Serge Gauthier. “Working Memory and Control of Attention in Persons with Alzheimer’s Disease and Mild Cognitive Impairment.” Neuropsychology 21, no. 4 (July 2007): 458–469. doi:10.1037/0894-4105.21.4.458.
Benoit, Charles-Etienne, Simone Dalla Bella, Nicolas Farrugia et al. “Musically Cued Gait-Training Improves Both Perceptual and Motor Timing in Parkinson’s Disease.” Frontiers in Human Neuroscience 8 (July 2014): 494. doi: https//doi.org/10.3389/fnhum.2014.00494.
Berk, Bradford C., and Gadiparthi N. Rao. “Angiotensin II-Induced Vascular Smooth Muscle Cell Hypertrophy: PDGF A-Chain Mediates the Increase in Cell Size.” Journal of Cellular Physiology 154, no. 2 (February 1993): 368–380. doi: https//doi.org/10.1002/jcp.1041540221.
Brochard, Renaud, Pascale Touzalin, Olivier Després, and André Dufour. “Evidence of Beat Perception via Purely Tactile Stimulation.” Brain Research 1223 (August 2008): 59–64. doi: https//doi.org/10.1016/j.brainres.2008.05.050.
Brown, Steven, Michael J. Martinez, and Lawrence M. Parsons. “The Neural Basis of Human Dance.” Cerebral Cortex 16, no. 8 (August 2006): 1157–1167. doi: https//doi.org/10.1093/cercor/bhj057.
Chauvigné, Léa A. S., Michel Belyk, and Steven Brown. “Taking Two to Tango: fMRI Analysis of Improvised Joint Action with Physical Contact.” PLoS One 13, no. 1 (January 2018): e0191098. doi: https//doi.org/10.1371/journal.pone.0191098.
Chen, Tiffany L., Tapomayukh Bhattacharjee, J. Lucas McKay et al. “Evaluation by Expert Dancers of a Robot That Performs Partnered Stepping via Haptic Interaction.” PLoS One 10, no. 5 (May 2015): e0125179. doi: https//doi.org/10.1371/journal.pone.0125179.
Clark, Lindsay R., Dawn M. Schiehser, Gail H. Weissberger et al. “Specific Measures of Executive Function Predict Cognitive Decline in Older Adults.” Journal of the International Neuropsychological Society 18, no. 1 (January 2012): 118–127. doi: https//doi.org/10.1017/S1355617711001524.
De Dreu, Miek Johanna, Dymphy van der Wilk, E. Poppe, Gert Kwakkei, and Edwin H. van Wegen. “Rehabilitation, Exercise Therapy and Music in Patients with Parkinson’s Disease: A Meta-analysis of the Effects of Music-Based Movement Therapy on Walking Ability, Balance and Quality of Life,” Parkinsonism & Related Disorders 18, Suppl. 1 (2012): S114–119, doi: https//doi.org/10.1016/S1353-8020(11)70036-0.
Dede, Didem Sener, Bunyamin Yavuz, Burcu Balam Yavuz et al. “Assessment of Endothelial Function in Alzheimer’s Disease: Is Alzheimer’s Disease a Vascular Disease?” Journal of the American Geriatrics Society 55, no. 10 (October 2007): 1613–1617. doi: https//doi.org/10.1111/j.1532-5415.2007.01378.x.
Dickerson, Bradford C., David H. Salat, Julianna F. Bates et al. “Medial Temporal Lobe Function and Structure in Mild Cognitive Impairment.” Annals of Neurology 56, no. 1 (July 2004): 27–35. doi: https//doi.org/10.1002/ana.20163.
Dickstein, Dara L., Jessica Walsh, Hannah Brautigam et al. “Role of Vascular Risk Factors and Vascular Dysfunction in Alzheimer’s Disease.” Mount Sinai Journal of Medicine 77, no. 1 (January–February 2010): 82–102. doi: https//doi.org/10.1002/msj.20155.
Dobkin, Bruce H., Ann Firestine, Michele West, Kaveh Saremi, and Roger Woods. “Ankle Dorsiflexion as an fMRI Paradigm to Assay Motor Control for Walking during Rehabilitation.” Neuroimage 23, no. 1 (September 2004): 370–381. doi: https//doi.org/10.1016/j.neuroimage.2004.06.008.
Duncan, Ryan P., and Gammon M. Earhart. “Randomized Controlled Trial of Community-Based Dancing to Modify Disease Progression in Parkinson Disease.” Neurorehabilitation and Neural Repair 26, no. 2 (February 2012): 132–143. doi: https//doi.org/10.1177/1545968311421614.
Endtmann, Cathleen, Talin Ebrahimian, Thomas Czech et al. “Angiotensin II Impairs Endothelial Progenitor Cell Number and Function in vitro and in vivo: Implications for Vascular Regeneration.” Hypertension 58, no. 3 (September 2011): 394–403. doi: https//doi.org/10.1161/HYPERTENSIONAHA.110.169193.
Forte, Roberta, Colin A. G. Boreham, Giuseppe De Vito, and Caterina Pesce. “Health and Quality of Life Perception in Older Adults: The Joint Role of Cognitive Efficiency and Functional Mobility.” International Journal Environmental Research and Public Health 12, no. 9 (September 2015): 11328–11344. doi: https//doi.org/10.3390/ijerph120911328.
François, Clément, Jennifer Grau-Sánchez, Esther Duarte, and Antoni Rodriguez-Fornells. “Musical Training as an Alternative and Effective Method for Neuro-Education and Neuro-Rehabilitation.” Frontiers in Psychology 6 (April 2015): 475. doi: https//doi.org/10.3389/fpsyg.2015.00475.
Godefroy, Olivier, Serge Bakchine, Marc Verny et al. “Characteristics of Alzheimer’s Disease Patients with Severe Executive Disorders.” Journal of Alzheimer’s Disease 51, no. 3 (2016): 815–825. doi: https//doi.org/10.3233/JAD-150971.
Golden, Shelley D., and Jo Anne Earp. “Social Ecological Approaches to Individuals and Their Contexts: Twenty Years of Health Education & Behavior Health Promotion Interventions.” Health Education & Behavior 39, no. 3 (January 2012): 364–372. doi: https//doi.org/10.1177/1090198111418634.
Gross, Alden L., Qian-Li Xue, Karen Bandeen-Roche et al. “Declines and Impairment in Executive Function Predict Onset of Physical Frailty.” The Journals of Gerontology, Series A, Biological Sciences and Medical Sciences 71, no. 12 (December 2016): 1624–1630. doi: https//doi.org/10.1093/gerona/glw067.
Guizoni, Daniele M., Gabriel G. Dorghello, Helena C. F. Oliveira et al. “Aerobic Exercise Training Protects against Endothelial Dysfunction by Increasing Nitric Oxide and Hydrogen Peroxide Production in LDL Receptor-Deficient Mice.” Journal of Translational Medicine 14, no. 1 (July 2016): 213. doi: https//doi.org/10.1186/s12967-016-0972-z.
Hackney, Madeleine E., Colleen Byers, Gail Butler et al. “Adapted Tango Improves Mobility, Motor-Cognitive Function, and Gait but Not Cognition in Older Adults in Independent Living.” Journal of the American Geriatrics Society 63, no. 10 (October 2015): 2105–2113. doi: https//doi.org/10.1111/jgs.13650.
Hackney, Madeleine E., Courtney D. Hall, Katharina V. Echt, and Steven L. Wolf. “Multimodal Exercise Benefits Mobility in Older Adults With Visual Impairment: A Preliminary Study.” Journal of Aging and Physical Activity 23, no. 4 (October 2015): 630–639. doi: https//doi.org/10.1123/japa.2014-0008.
Hackney, Madeleine E., and Gammon Earhart. “Effects of Dance on Movement Control in Parkinson’s Disease: A Comparison of Argentine Tango and American Ballroom.” Journal of Rehabilitation Medicine 41, no. 6 (May 2009): 475–481. doi: https//doi.org/10.2340/16501977-0362.
“Health-Related Quality of Life and Alternative Forms of Exercise in Parkinson Disease.” Parkinsonism & Related Disorders 15, no. 9 (November 2009): 644–648. doi: https//doi.org/S1353-8020(09)00065-0.
“Short Duration, Intensive Tango Dancing for Parkinson Disease: An Uncontrolled Pilot Study.” Complementary Therapies in Medicine 17, no. 4 (August 2009): 203–207. doi: https//doi.org/10.1016/j.ctim.2008.10.005
“Effects of Dance on Gait and Balance in Parkinson’s Disease: A Comparison of Partnered and Nonpartnered Dance Movement.” Neurorehabilitation and Neural Repair 24, no. 4 (May 2010): 384–392. doi: https//doi.org/10.1177/1545968309353329.
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